Organonscape, geography, and aural spaces of kemençe in and around Trabzon

Uğur Aslan*, Songül Karahasanoğlu

*Bu çalışma için yazışmadan sorumlu yazar

Araştırma sonucu: ???type-name???Makalebilirkişi

Özet

The kemençe instrument is a crucial part of daily life in the Eastern Black Sea region’s culture. Besides the performance of the kemençe, other instruments, dances, and the ideological discourses associated with the instrument show us how local people interact with the landscape of the Eastern Black Sea region. This study examines the space of kemençe by considering its complex cultural relations in and around the province of Trabzon. We use the concept of organonscape to analyse the space of the kemençe through considering the geography and spatial features of the instrument. This concept shows that instruments are important determinants of performance and are created to mark a fluid space in relation to landscape. As a result, the organonscape of the kemençe contains musical practices and shapes the ideological construction of landscapes as spaces where the kemençe is performed.

Orijinal dilİngilizce
Sayfa (başlangıç-bitiş)260-282
Sayfa sayısı23
DergiEthnomusicology Forum
Hacim31
Basın numarası2
DOI'lar
Yayın durumuYayınlandı - 2022

Bibliyografik not

Publisher Copyright:
© 2022 Informa UK Limited, trading as Taylor & Francis Group.

Parmak izi

Organonscape, geography, and aural spaces of kemençe in and around Trabzon' araştırma başlıklarına git. Birlikte benzersiz bir parmak izi oluştururlar.

Alıntı Yap