Özet
Visual design is associated with the use of some basic design elements and principles. Those are applied by the designers in the various disciplines for aesthetic purposes, relying on an intuitive and subjective process. Thus, numerical analysis of design visuals and disclosure of the aesthetic value embedded in them are considered as hard. However, it has become possible with emerging artificial intelligence technologies. This research aims at a neural network model, which recognizes and classifies the design principles over different domains. The domains include artwork produced since the late 20th century; professional photos; and facade pictures of contemporary buildings. The data collection and curation processes, including the production of computationally-based synthetic dataset, is genuine. The proposed model learns from the knowledge of myriads of original designs, by capturing the underlying shared patterns. It is expected to consolidate design processes by providing an aesthetic evaluation of the visual compositions with objectivity.
Orijinal dil | İngilizce |
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Makale numarası | 103826 |
Dergi | Automation in Construction |
Hacim | 130 |
DOI'lar | |
Yayın durumu | Yayınlandı - Eki 2021 |
Bibliyografik not
Publisher Copyright:© 2021 Elsevier B.V.
Finansman
We are grateful to the Museum of Contemporary Art Chicago for providing copyrights of the artworks, and following photographers and architects for granting permission to use their photographs: Aitor Ortiz, Tord-Rikard Söderström, Katja L.(Instagram/@architecturetourist), Altug Galip (Instagram/@kyrenian), Florent Michel, René de Wit, Tomás Alvarez Robledo, John Gollings, Ieva Saudargaité, Miguel Souto, SOMOS.Arquitectos, and Peter Kuczia. We are thankful to Cemil Cahit Yavuz, the artist and his team for data labeling. We wish to thank Murat Can Kurşun, the graphic designer; Prof.Dr. Yüksel Demir, the architect and; Assoc.Prof.Dr. Oğuz Haşlakoğlu, the artist who put their expert knowledge and annotated the new dataset in the human vs. computer competition experiment. We also wish to thank Gülçin Baykal, Dilara Gökçe and Ahmed Hancıoğlu for their great contributions in data curation. This project was financially supported by the Scientific Research Project Unit (BAP) of Istanbul Technical University, Project Number: MOA-2019-42321. We are grateful to the Museum of Contemporary Art Chicago for providing copyrights of the artworks, and following photographers and architects for granting permission to use their photographs: Aitor Ortiz, Tord-Rikard Söderström, Katja L.(Instagram/@architecturetourist), Altug Galip (Instagram/@kyrenian), Florent Michel, René de Wit, Tomás Alvarez Robledo, John Gollings, Ieva Saudargaité, Miguel Souto, SOMOS.Arquitectos, and Peter Kuczia. We are thankful to Cemil Cahit Yavuz, the artist and his team for data labeling. We wish to thank Murat Can Kurşun, the graphic designer; Prof.Dr. Yüksel Demir, the architect and; Assoc.Prof.Dr. Oğuz Haşlakoğlu, the artist who put their expert knowledge and annotated the new dataset in the human vs. computer competition experiment. We also wish to thank Gülçin Baykal, Dilara Gökçe and Ahmed Hancıoğlu for their great contributions in data curation. This project was financially supported by the Scientific Research Project Unit (BAP) of Istanbul Technical University , Project Number: MOA-2019-42321 .
Finansörler | Finansör numarası |
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Altug Galip | |
Cemil Cahit Yavuz | |
Murat Can Kurşun | |
Istanbul Teknik Üniversitesi | MOA-2019-42321 |