Özet
Inspired by a museum visit made together with Donald Preziosi, in which he came across one of the Orientalist paintings of his great-grandfather Amadeo Preziosi, this paper scrutinizes the questions of object-subject relation, meaning, and identity. These museological questions led to a deeper discussion related to my dissertation topic: the museumification of the Topkapi Palace. The gradual museumification of this imperial complex during the nineteenth century, reached to a conclusion during the Republican Era, and eventually Topkapi Palace became the second most visited museum in Turkey today. The museum itself, however, still conveys multiple narratives and contradicting discourses to its visitors. While establishing a connection with the national heritage and Ottoman patrimony, the Topkapi Palace Museum also underlines the rupture, the “rift” between the imperial past and the Republican present, between the premodern and postmodern realities, between the sacred and the secular, and between the object and the subject.
| Orijinal dil | İngilizce |
|---|---|
| Sayfa (başlangıç-bitiş) | 59-68 |
| Sayfa sayısı | 10 |
| Dergi | Art in Translation |
| Hacim | 9 |
| DOI'lar | |
| Yayın durumu | Yayınlandı - 2017 |
| Harici olarak yayınlandı | Evet |
Bibliyografik not
Publisher Copyright:© 2017 Informa UK Limited, trading as Taylor & Francis Group.
BM SKH
Bu sonuç, aşağıdaki Sürdürülebilir Kalkınma Hedefine/Hedeflerine katkıda bulunur
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SKH 11 Sürdürülebilir Şehirler ve Topluluklar
Parmak izi
Between object(ive) and subject(ive): Museum narratives with donald preziosi' araştırma başlıklarına git. Birlikte benzersiz bir parmak izi oluştururlar.Alıntı Yap
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