Auditory scenography in music production: Case study mixing classical Turkish music in higher order ambisonics

Can Karadoğan*, Thomas Görne

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Özet

Music production has always been influenced by and evolved alongside the newest technological standards and listener demands. As the general apparatus for music consumption moves towards headphones, and with the advent of 3D cinema sound and virtual reality (VR) technologies, questions on how to translate musical standards into a three-dimensional listening environment are in debate. This paper discusses the 3D mix aesthetics of Ambisonics beyond 6th order taking a classical Turkish music production as a musical case. An ensemble recording was made in the recording studio of Istanbul Technical University (İTÜ) MİAM. The channels of that session were mixed in the Immersive Audio Lab of Hamburg University of Applied Sciences (HAW), exploring generic ways of spatial music production. The results were rated by means of a survey grading immersive audio parameters.

Orijinal dilİngilizce
Yayın durumuYayınlandı - 2019
Etkinlik2019 AES International Conference on Immersive and Interactive Audio: Creating the Next Dimension of Sound Experience - York, United Kingdom
Süre: 27 Mar 201929 Mar 2019

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???event.eventtypes.event.conference???2019 AES International Conference on Immersive and Interactive Audio: Creating the Next Dimension of Sound Experience
Ülke/BölgeUnited Kingdom
ŞehirYork
Periyot27/03/1929/03/19

Bibliyografik not

Publisher Copyright:
© 2019 Audio Engineering Society. All rights reserved.

Finansman

This work was performed during a research exchange supported by Istanbul Technical University (˙TÜ) and Hamburg University of Applied Sciences (HAW).

FinansörlerFinansör numarası
HAW
Hamburg University of Applied Sciences
Istanbul Teknik Üniversitesi

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