A comparison of kanun recording techniques as they relate to Turkish Makam music perception

Can Karadogan*

*Bu çalışma için yazışmadan sorumlu yazar

Araştırma sonucu: Kitap/Rapor/Konferans Bildirisinde BölümKonferans katkısıbilirkişi

1 Atıf (Scopus)

Özet

This paper presents a quality comparison of microphone techniques applied on the kanun, a prominent traditional instrument of Turkish Makam music. Disregarding the effects of pre-amplifier color, A/D converter, compression, equalization, mixing and mastering, only the studio recording step of music production is taken into focus: Microphone techniques were applied with varying placements and microphone types, and doing so, original Turkish Makam music etudes were recorded. Using short excerpts of these etudes, a survey comparing microphone techniques and placements as well as microphone types was prepared. Subjects were chosen from kanun players, sound engineers and non-musicians who showed different perspectives, preferences and descriptions to the sound samples of various microphone techniques.

Orijinal dilİngilizce
Ana bilgisayar yayını başlığı130th Audio Engineering Society Convention 2011
Sayfalar753-759
Sayfa sayısı7
Yayın durumuYayınlandı - 2011
Etkinlik130th Audio Engineering Society Convention 2011 - London, United Kingdom
Süre: 13 May 201116 May 2011

Yayın serisi

Adı130th Audio Engineering Society Convention 2011
Hacim2

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???event.eventtypes.event.conference???130th Audio Engineering Society Convention 2011
Ülke/BölgeUnited Kingdom
ŞehirLondon
Periyot13/05/1116/05/11

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