Rhythmanalysis Theory as a Dialectical Method in Urban Geography

The primary aim of this paper is to thoroughly define the dialectical structure of the theory of rhythmanalysis, while at the same time providing a clear and detailed framework for the method it entails. To achieve this, the paper seeks to establish a useful link between Henri Lefebvre's theory of rhythmanalysis and its practical reflections in the context of urban studies, specifically under the umbrella of urban geography. The study then proceeds to classify selected works from the literature that can serve as guides within the framework of rhythmanalysis. A comprehensive analysis of the studies that use the rhythmanalysis approach as the basic research-analysis method has been conducted, systematically categorized under five critical concepts of urban geography: Location-Movement, Construction, Envisioning-Experience, Social-Political Organization, and Sites-Practices. Following theoretical and bibliographic analysis, this comprehensive approach highlights the scope, opportunities, and potential of rhythmanalysis while addressing its critiques, consolidating its conceptual foundations, and showcasing its relevance for urban studies. Through this detailed examination, the paper aims to make a significant contribution to the understanding and application of rhythmanalysis in the field of urban geography.