Hand Printing Practices with a Sustainable Fashion Approach

Serna Ucar Hatipoglu*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

The textile world which has awakened with the consciousness of the new generation of consumers, has now begun to adapt, produce, and design for a better world and environment. Although it is not easy to reverse the damage that has occurred so far, even raising public awareness about what we can do for the future of environmental problems is a significant step. As human beings, we started to return to our essence to return to nature. When we approach this situation with a designer perspective, protecting our cultural values, keeping our traditional arts and crafts alive, re-applying them, updating them according to the requirements and needs of the new era, and bringing them to the future, are among the improvements we can make in this direction. Two projects shaped in line with the “Slow Fashion” discourse were demonstrated with methods and outcomes. It is revealed from an experimental point of view that hand printing arts can be methods and applications for sustainable fashion field. It is also underlined that there is a possibility that enables the revival and reevaluation of hand-printing arts and methods in a way that will meet the needs of sustainable design areas.

Original languageEnglish
Title of host publicationSpringer Series in Design and Innovation
PublisherSpringer Nature
Pages467-492
Number of pages26
DOIs
Publication statusPublished - 2024
Externally publishedYes

Publication series

NameSpringer Series in Design and Innovation
Volume38
ISSN (Print)2661-8184
ISSN (Electronic)2661-8192

Bibliographical note

Publisher Copyright:
© The Author(s), under exclusive license to Springer Nature Switzerland AG 2024.

Keywords

  • Block printing
  • Cultural heritage
  • Hand printing
  • Mono printing
  • Slow fashion
  • Sustainable fashion

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