Hüseyin Sadettin Arel’in Türk makam müziğinde çok seslilik anlayışı: “kemençe beşlemesi” örneği

Translated title of the contribution: Hüseyin Sadettin Arel’s understanding of polyphony in Turkish makam music: the example of “Kemençe Beşlemesi”

Gözde Çolakoğlu Sarı, Sadık Uğraş Durmuş, Orkun Zafer Özgelen

Research output: Contribution to journal › Article › peer-review

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Arts and Humanities

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