Between object(ive) and subject(ive): Museum narratives with donald preziosi

Nilay Özlü*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

1 Citation (Scopus)

Abstract

Inspired by a museum visit made together with Donald Preziosi, in which he came across one of the Orientalist paintings of his great-grandfather Amadeo Preziosi, this paper scrutinizes the questions of object-subject relation, meaning, and identity. These museological questions led to a deeper discussion related to my dissertation topic: the museumification of the Topkapi Palace. The gradual museumification of this imperial complex during the nineteenth century, reached to a conclusion during the Republican Era, and eventually Topkapi Palace became the second most visited museum in Turkey today. The museum itself, however, still conveys multiple narratives and contradicting discourses to its visitors. While establishing a connection with the national heritage and Ottoman patrimony, the Topkapi Palace Museum also underlines the rupture, the “rift” between the imperial past and the Republican present, between the premodern and postmodern realities, between the sacred and the secular, and between the object and the subject.

Original languageEnglish
Pages (from-to)59-68
Number of pages10
JournalArt in Translation
Volume9
DOIs
Publication statusPublished - 2017
Externally publishedYes

Bibliographical note

Publisher Copyright:
© 2017 Informa UK Limited, trading as Taylor & Francis Group.

Keywords

  • Amadeo preziosi
  • Donald preziosi
  • Istanbul
  • Pera museum
  • Topkapi museum

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